Search: Starring Amanda Seyfried

The future is data

Less the free-form, jazzy ensemble satire on the art world it aspires to be than an over-elaborate and under-funny undertaking by high quality actors who should know better.

Once - and if - you accept that this is a B-movie plot, it is possible to find a level of enjoyment from its undeniably A-movie trappings.

You have no idea how enjoyable this is

Tawdry and shamelessly manipulative.

The early stretch strikes a nice balance between surprisingly mature human scenes and the soaring spectacle of the Leaf-people’s lives.

This is a film about rejection. Everyone's contaminated in one way or another

First Reformed ends up being a satisfying meditative echo rather than a simple replay of Schrader greats.

A shallow, stagnant film that whiffs of plagiarism.

Jennifer's Body is a sexy, smart mouthed horror that cannot be knocked for ambition or cleverness.

Christopher Egan's achingly bad condescension to Hollywood's stupidest stereotype of the Englishman would be better suited to a Zucker brothers parody.

The harrowing latter half of the film could easily have become alienating, but Seyfried makes it compelling.

Mamma Mia! is a roller coaster of emotion, careering colourfully from the blue waters of the Adriatic.

This is a film that lets words sizzle more than anything.

There are some funny moments along the way and Lohan is good.

There is a sense of danger in performances that are called upon to hit high musical and emotional notes simultaneously.

Visual indigestion and intellectual flatulence

By halfway through you're beginning to wish the wolf would just eat the entire village.

Everyone loves a bit of nostalgia, but you've got to put your heart into it.

Salome’s story has been shaped again and again by men; she is, perhaps, the first recorded subject of the male gaze. Egoyan is conscious that he is not in a position to resolve this, yet strives to bring female perspectives to the fore

Made with consummate care, the film stands out for its exquisite cinematography.

This is Woody Allen territory, except not as funny